Showing posts with label wu tang. Show all posts
Showing posts with label wu tang. Show all posts

Friday, March 15, 2013

BEET Life (vol. 2): 5 Pieces of Bad Advice from Rappers



I can genuinely say since turning 10 years old, hip hop has taught me about life more than anything else. (Yes, more than my parents, teachers, the Bible, Dr. Suess, etc.) Advice like “back that azz up” and “Wu-Tang Clan ain’t nothing to fuck wit” and who could forget “throw some D’s on that bitch” has shaped me into the man I am today. Unfortunately, not everything said in a rap song is sound advice. That’s why I’ve compiled a list to remind folks that yes many of these rappers are wholesome, sound advice givers, there are a few in the bunch that are just up to no good.

#1. Mo’ Money, Mo’ Problems – Notorious B.I.G.

 

Now Christopher Wallace, better known as Biggie Smalls or Notorious B.I.G. has always been one of the better advice givers in hip hop. To this day, I consult “Ten Crack Commandments” whenever I’m planning a business venture (“never get high on your own supply” and “keep yo’ family and business completely separated” are two bits of guidance that can translate into nearly any situation), but with his 1997 hit “Mo’ Money, Mo’ Problems” he really drops the proverbial ball.

As someone who has gone his whole life with a lack of funds, I can attest more revenue coming into my life would not only not add to my list of problems, but it would in fact erase several problems. As a recent college graduate, I’ve found myself in about $50,000 in debt. If I had mo’ money, I would be able to pay off these loans, move out of my parents house, pop bottlez and buy more rap records. It’s quite clear that I would have less problems if I had mo’ money. Sorry BIG, you can’t win them all.

#2. Bitches Ain’t Shit – Dr. Dre and Snoop Doggy Dogg

 

On the surface, bitches ain’t shit is a true statement. Women (or female dogs even) are not bowel movements. But the true sentiment of this rap lyric is buried under some deep metaphorical, brilliant usage of the English language. To my understanding, which could be off base considering I’ve only earned my Bachelor’s whereas Dr. Dre has heard his PHD (not an MD, like many have claimed), that this song is saying that one should not be concerned with women.

I’ll get back to the basic thesis of this song in a moment, but first I want to address the language of this song. Like many impressionable hip hop listeners, I always assumed that the word “bitch” was applicable in everyday communications – it’s not. After extensive experimentation with the word “bitch,” I’ve concluded that women, indeed do not enjoy being referred to as such. First I’ve tried it with my mother, then later with every love interest I’ve encountered, and I’ve gotten lukewarm reception at best (and embarrassing physical injury at worst). So that misguidance alone is enough to land a spot on this list (and yes Too $hort, I’ve tried your extended “biiiiiiyaattcchhh” and have found it to be worse in some cases), but that’s only half of it.
In my 23 years, I’ve found that women are not only “shit” but also play a very vital role in a man’s life. I’ve had time with female guidance and time without female guidance, and I can say life is easier when you have a woman telling you what to do. In my early years, it was my mother who gave me advice (“don’t put that in your nose” “shut the hell up or I will beat your ass”), then later on it was girlfriends and girl friends (“don’t drink that” “you look like an asshole” “don’t put that in your nose”). And I’ve discovered when I don’t have these women in my life to tell me what to do (and more often, what not to do), I end up getting myself into some pretty unfavorable situations. So ladies, BRL is officially a pro-bitches website. You’re welcome Tina and Amy.

#3. Only God Can Judge Me – 2Pac

 
 
2Pac lived, and well, died by this mantra. Unfortunately this is just 100% inaccurate. You live most of your life being judged by others. I think a more accurate statement (depending on your beliefs) is that God is the last person (or whatever he or she is) that will judge you. And God judges good (see: Old Testament).
But there are several others in our lives that judge, and sometimes this judgment is helpful (see: mothers and girlfriends). Sure, other judgment isn’t as great (see: the jury on OJ Simpson’s 1994 trial). But my point is there are many judges in our lives; here’s a short list: the aforementioned women and juries, judges, bloggers, people who drive behind slow drivers.

#4. Bring Da Ruckus – Wu-Tang Clan

 

I can say the 9-10 members of Wu-Tang Clan have played more of a role in developing me into the incredibly average individual I am today than just about any other group of 9 or 10 African-American gentlemen. Ghostface Killah telling me to “be nice to the crackheads” was stern, fatherly guidance that I needed when I was a just a sophomore in high school. And the late great Ol’ Dirty Bastard telling me to use conditioner has helped my hair in more ways than I can count. But I can tell you that bringing da motherfuckin ruckus at the wrong time, can really hurt you socially and economically.
Sure, bringing said ruckus can be an enjoyable experience, but one must pick his or her spots. Bringing da motherfuckin ruckus at 1:30 a.m. at a dive bar is a more than acceptable time to do so. But bringing that same ruckus to a funeral, can be bothersome to many. Bringing just a little bit of ruckus to a court hearing could lead you to doing a little bit of time in the penitentiary (which wouldn’t be a bad place to bring some ruckus, I’d imagine).

#5. Where the Hood At? – DMX 



The main basis of this song is Earl Simmons on an odyssey for his neighborhood (or it might be his hooded sweatshirt, again layers). I have no issue with this because I’m sure Mr. Simmons has managed to get lost on many occasions, as this song was recorded well before GPS devices were the norm. And I get that. DMX and I both have a less-than-desirable sense of direction, so if I were lost I’d be yelling “where da hood at” also.
The main problem is the bits of advice sprinkled in the verses of this song, while he is searching aimlessly for his hood. First off you have “show no love to homo thugs.” Now this is a piece of advice I think is aimed towards my homosexual friends. I think he’s trying to say gay men, “hey, you can do better than that dead beat who is physically and emotionally abusing you.” This is great advice, gay men shouldn’t have to settle for “thugs.” Unfortunately when you piece together other bits of this verse (“how you gon’ explain fuckin a man? Even if we squash the beef, I ain’t touchin ya hand”), one starts to think that helping gay men find a quality mate is not what Mr. Simmons had in mind when he penned this track.
So speaking to gay and straight men, it is perfectly okay to be accepting of homosexual lifestyles. I know DMX has said some profound things in the past that have both tested the limits of the English language and human spirituality, but this one is a straight up dud.
Also “empty out ya clips and throw mo’ slugs” is another misstep in this track. If you do have a liscenced firearm, I highly recommend you do not empty out your clips and throw more slugs without at least asking a couple of questions first.

Monday, April 18, 2011

Rhymes: Raekwon - "Ferry Boat Killaz" (Music Video)

Raekwon - Ferry Boat Killaz from LRG on Vimeo.


Here's the Chef's latest music video off of the Shaolin vs. Wu-Tang album. I have yet to hear this whole album (because I'm brokeee), but every track I've heard has been fire. This one is produced by Alchemist.

Friday, February 4, 2011

Rhymes & Life: The death of J Dilla affects hip hop and Black History Month

For my 2nd column ever, I wrote about my history with J Dilla, who passed away 5 years ago.

The story originally published in the BG News:

Jay-Z said it best on the first bar of what was supposed to be his last album, 2003's "The Black Album": "They say they never really miss you 'til you dead or you gone."

This has been a common trend in music, that I've noticed for years, especially hip-hop. Hip-hop has always been extremely active in showing support to their fallen brethren.

There have been so many prominent members of the hip-hop community that have left us in the past few years: Guru (of Gangstarr), Ol Dirty Bastard (of Wu-Tang Clan), Pimp C (of UGK), Proof (of D12) and so on.

But one death in particular has affected me more than others: James "J Dilla" Yancey.

To be completely honest with you, the only time I've seen J Dilla's name before his death was skimming the liner notes of albums from Talib Kweli and Common. But I still remember Feb. 10, 2006 vividly.

I was 16 years old, and was eager to gain as much information about my budding interests in hip-hop as I could, so I would daily visit a message board, Okayplayer, which was started by drummer/producer ?uestlove of my new favorite band, The Roots. 

Then Feb. 10 came. I came home after school like I did any other day to see what my fellow Okayplayers were talking about that day and then I see a post titled "I have lost a good friend" from a poster named Black Thought, who is The Roots' emcee, although he has never posted on Okayplayer.

In his post (which would later appear on The Roots' tribute song to Dilla, "Can't Stop This") he said:

"As I write these words, my tears splashing the keyboard, I reminisce on the times I've shared (with) Dilla, never without that signature smile and head bouncing to the beat, and finally understand the true meaning of passion."

Tears splashing on his keyboard? If you've ever heard a Roots song, you know Black Thought is not the emotional type; he's the type that crushes weak emcees with his ferocious flows and aggressive lyrics.

But here he was admittedly crying on the Internet to thousands of fans over a loss of a producer who I barely recognized in my favorite rappers' shout out lists.

I felt ignorant. How come this man has had such an impact on the hip-hop community without me having hardly any knowledge of who he was?

During the final years of high school, I continued to grow as a music lover and a hip-hop head. Over those years, J Dilla was instrumental (excuse the weak pun) in my exploration of the genre.

Although he never achieved the fame or even the wealth that a musician of his caliber rightfully should have, his impact on hip-hop music was irrefutable.

His legacy lives on through the countless beat makers who have been influenced by his unmatched ability on the MPC including the likes of fellow Detroit beat miners Mr. Porter and Black Milk, Madlib, and even one of the biggest names in music, Kanye West, has in some way emulated Dilla's style.

This Monday would have been his 37th birthday had he not passed away five years ago from complications of Lupus.

Feb. 7 has been dubbed "Dilla Day" by the hip-hop community for the past four years, and it has always been a personal tradition of mine to play every Dilla track I have and force my friends to listen to it too.

So this year for black history month, let us remember some of our fallen heroes in the hip-hop world (or just music in general) that maybe didn't get the respect and love they deserved until after their death.

R.I.P. J Dilla.

Monday, July 19, 2010

From Dwight Schrute's News-Edit Pro: Ol Dirty Album News

Best. Headline.Ever.

'Bastard' widow's 'dumb' deal

Last Updated: 6:06 AM, July 11, 2010

Posted: 1:56 AM, July 11, 2010

The widow of rapper Ol' Dirty Bastard hawked his prized final album for a song.

So says ODB's former manager, Jarred Weisfeld, who claims Icelene Jones quietly signed away the rights to "A Son Unique," the singer's posthumously- released album, and spent the proceeds.

"She sold out for peanuts," said Weisfeld, who said he was told the price was as little as $10,000.

Weisfeld believed that the album could have brought in millions for ODB's survivors, who include his mother, Cherry Jones, and four baby mamas who bore his children.

Family members and Weisfeld have squared off in Brooklyn Surrogate Court, for control over what's left of his career earnings. Icelene Jones did not return calls.



But seriously, who okay'd this?

The good news is O.D.B.'s unreleased post-posthumous album, "A Son Unique" may see the light of day finally after being shelved. It was originally planned to be released some time in 2005 on Dame Dash's label (which has since gone down the pooper *Jay Won?*). Personally, I'd spend $15 for one more Dirt McGirt (or was it Baby Jesus) album, but I really doubt that it would pull in "millions" like O.D.B.'s former-manager claims it would've, had his widow not sold the record for $10,000.


What I want to know is, to whom did she sell the record to? Jive? Atlantic? Loud? Koch? A local bootlegger? When are we going to see this product on shelves? This is a bullshit article. I want that Dirty Bastard album now!

Thursday, December 24, 2009

Rhymes: Top 50 hip hop singles of the decade (50-41)

So I decided to compile the top 50 Hip Hop singles of the past decade (there's just too much rock and other genres that I havent heard so it would be unfair for me to do a ranking of those genres), heres the criteria:
- Must be released from 2000-2009
- Must be a Single (VLS,CDS, Digi-Single) or have an official music video made for it
- Must be released by a hip hop artist and there must be mostly rapping on the record (no autotune singing shit)
- Must be on my iTunes library (sorry for those who I havent heard, but my library consists of 9289 songs currently)
- Must have a strong personal influence

and with that being said...

#50 Twista - "Overnight Celebrity" [2004]
[Video Not Found, Thanks YouTube]
Well you all know it, one of 2004s biggest hits, a classic Kanye beat.

#49 Dilated Peoples - "Worst Comes to Worst" [2001]

The trio from the left coast's most famous hit (until they collabed with a certain chi-town producer)

#48 Erick Sermon - "Relentless" [2004]

I could've very well gone with 2001's classic "Music" but this is the song is what introduced me to the green eye'd bandit and it's straight rapping, no hook, which i've always had a soft spot for.

#47 Jake One - "The Truth (ft. Freeway and Brother Ali) [2008]

The Seattle beatsmith brought together two of the fiercest emcees on this hard hitting production. Who comes better? my vote goes to Ali, but Free wasn't a slouch on this by any means.

#46 B.o.B - "I'll Be in the Sky" [2008]

Bobby Ray is easily the least prolific artist on the list, but he certainly isnt the least talented. This song is undeniable, and is a personal classic. As for Mr. Ray's future? only time will tell, his debut album will be released (hopefully) this April.

#45 Substantial - "It's You (I Think)" [2009]

Stan has given the QN5 label its first major air-play with this kno laced track.

#44 Wu Tang Clan - "The Heart Gently Weeps" [2007]

The come back single from the almighty Wu, while 8 diagrams wasn't as great as many would hope this song was fantastic. Ms. Badu on the chorus and George Harrison's son playing guitar. And Rae, Ghost and Mr. Mef bring it home. Classic Wu.

#43 Wyclef Jean - "Sweetest Girl (ft. Akon and Lil Wayne)

This almost broke my must-have-rapping-on-it rule, but lil wayne saves the day (Whaaa?), but seriously this is one of those songs i could hear a million times and not get sick of. I dont know why I love it so much, its just a damn good song.

#42 Da Ranjahz - "Inspiration (ft Cee-Lo)[2003]

This is the only song I know from this horribly named group, but this primo-produced track is a personal classic.

#41 Jay-Z - "Song Cry" [2001]

Here is the best single released from 2001's blueprint (how was heart of the city not released as a single???).